Mario De Candia, La Repubblica, March, 1991 (Original):

[…][Stanford Brent][…] presenta una serie di dipinti recenti che esemplificano le linee di un progetto per il quale l'immagine si costruisce grazie alla sovrapposizione di due differenti registri[…]

Mario De Candia,
La Repubblica,
March, 1991
(English Translation):

[…][Stanford Brent][…]is exhibiting a series of recent paintings which illustrate the guiding principle of a project whose image builds on the overlaying of two different registers[…]

Edith Schloss,
Wanted in Rome,
March 28, 1991:

[…]Lines, circles, crosses akilter, rendered with a sure hand, are made to merge in a subtle web — the light of the present mingling with memory.

Renato Civello,
Il Secolo d'Italia,
March 22, 1991 (Original):

[…] si ha in Stanford Brent un ‘passare oltre’ i confini del quotidiano […] per enuclearne motivi ed accenti universali. […]

Renato Civello,
Il Secolo d'Italia,
March 22, 1991
(English Translation):

[…]in Stanford Brent’s work, there is a transcending of daily constraints […] to clarify universal motifs and accents […]

John Russell,
NYT,
May 1989:

Unlike many [other artists, Stanford Brent knows when to make a little go a long way.]

Ronny Cohen,
Artforum,
Nov 1986:

[…]Stanford Brent reveal[s] himself to be a painter very much at home in the arena that exists between abstraction and representation […]

John Russell,
NYT,
July 1986:

[…]Stanford Brent […] has moved from enigmatic, lopsided glimpses of architecture to an empyrean of his own devising […]